Absurdism in Postmodern Theatre: A Case Study Of Waiting for Godot by Samuel Beckett

Abstract

Postmodern theatre is characterized by specific themes and techniques. Samuel Beckett as one of the most brilliant playwrights in this era contributes to make the theatre of absurd one of the most significant ways of human existentialist expressions. Therefore, this study makes use of the descriptive analytical type of research. It examines the play Waiting for Godot in the level of its novelty in both thematic concern (meaninglessness, isolation, and doubt) as well as techniques (plotless story, devaluated language, and strange characters). The study focuses on the philosophy of Albert Camus, Frederick Nietzsche, Jean Paul Starter and others and the impact of these philosophies in understanding and interpreting Beckett’s play. Thus, the study reveals that Samuel Beckett succeeded in introducing a very special reflection of absurdity and meaninglessness in the level of language, plot and characters.